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The 2. 0 Best Spy Films of All Time. With another appearance for 0. Sam Mendes’ Spectre and a host of other new releases including Kingsman: The Secret Service and Mission Impossible: Rogue Nation, there wouldn’t seem to be a pressing need for any other secret- agent movies. But the film industry clearly sees things differently: 2. Bond wannabes, with espionage capers coming along almost as regularly as superhero blockbusters. Perhaps the producers assume that we are so excited by the prospect of another official Bond outing that we’ll pay to see anything vaguely spy related…Or, perhaps it’s because – remedies for current, real- world concerns about surveillance – spy films are an exciting and rarefied breed, combining the darkness and moral ambiguity of film noir with the gunplay of the action thriller – double- crosses and dead drops thrown in for good measure.

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Of course, Bond is the most visible agent of the genre, but he wasn’t the first – and he probably won’t be the last. From the dark intrigue of Le Carré to the farce of Austin Powers, we reveal our top twenty list of espionage capers that everyone needs to watch. Image from North by Northwest. North by Northwest (1. Director: Alfred Hitchcock. Finding Cary Grant as one of the original Mad Men, pursued by spies after he’s mistaken for a government agent, he ends up joining forces with Eva Marie Saint’s mysterious character up until the henchmen close in on him, resulting in the climax on Mount Rushmore with a sequence of nail- biting events.

If you haven’t seen North by Northwest, you’re in for an amazing ride. It’s Hitchcock at his slickest, playing on the fear of having nowhere to hide. Grant is a leading man so assured he makes James Bond look insecure, Saint a love interest with unbeatable charisma, and Bernard Hermann’s wild score the icing on the ’5. Watch In The Name Of The King III Tube Free. Image from True Lies. True Lies (1. 99.

Director: James Cameron. James Cameron re- invented Arnie as a tango- ing schizoid spymaster, boring Jamie Lee Curtis by day and James- Bonding with Tom Arnold by night.

Simultaneously, Cameron re- invented the action movie, slotting cringe- worthy domestic farce among the relentless mayhem. Nuclear bombs have never been so fun. Image from Casino Royale. Casino Royale (2.

Director: Martin Campbell. After receiving a license to kill, Bond heads to Madagascar to topple Le Chiffre’s terrorist organization. Easily the best Bond since Connery, Craig was inspired casting. He brings a serious actor’s ability to an unserious part and brings out the playfulness, yet never sends it up. Casino Royale is ridiculously enjoyable because the smirking and the gadgets have been cut back – and the emotion and wholesome sado- masochism have been pumped up. Image from The Lives of Others. Watch Cousin Cousine Dailymotion. The Lives of Others (2.

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Directed by Tomas Alfredson. With Gary Oldman, Colin Firth, Tom Hardy, Mark Strong. In the bleak days of the Cold War, espionage veteran George Smiley is forced from.

Director: Florian Henckel von Donnersmarck. In 1. 98. 3 East Berlin, Stasi officer Wiesler receives approval to spy on one man and his lover. Wiesler becomes sympathetic to the couple, but faces conflicting loyalties when his boss takes a liking to Christa- Maria.

The flick takes us back to a repressive state of mind with clear- cut accuracy. The authenticity of von Donnersmarck’s world never feels anything other than real; oppressive architecture looms in the background, Ulrich Mühe is cast perfectly as Wiesler, and the beautiful tale of humanity reminds us that a human mind can only be controlled for a finite amount of time. Image from Munich. Munich (2. 00. 5)Director: Steven Spielberg.

After the murder of 1. Israeli athletes and their coach at the 1. Olympics, the Israeli government secretly assigns Avner Kaufman to carry out a series of strategic retaliations. With the help of a driver, a forger, a bomb- maker and a former soldier, the assassinations pile up, and Avner begins to doubt the morality of his actions. Watch The Monster Squad Tube Free there. Munich is more classy than Spielberg’s action- adventures. It refuses to pick sides, resonating in unsettling ways, with Spielberg excellently conveying the toll taken on his subjects’ souls.

Image from Eye of the Needle. Eye of the Needle (1. Director: Richard Marquand. Set during wartime, a German spy named Faber is trying to get out of Britain with vital information about D- Day, and must spend time with a young woman who soon discovers she’s alone with the murderer of her crippled husband.

In other words, it’s the Donald- Sutherland- as- Nazi- spy- stiletto- stabbing- sociopath we always needed but never knew existed. An oft- neglected minor classic from a hugely gifted director, Eye of the Needle epitomizes the spy- versus- spy battles that take place every day without the public’s knowledge. It’s a Hitchcockian drama in terms of suspense, loneliness, and violence – and Sutherland is chilling to the bone. Image from Ronin.

Ronin (1. 99. 8)Director: John Frankenheimer. A briefcase with undisclosed contents makes its way into criminals’ hands and an Irish squad of mercenaries are employed to recover the case. But the team – Robert De Niro, Jean Reno, Stellan Skarsgard and Sean Bean – mistrusts one another. De Niro has made some stinkers near the twilight of his career.

This, however, is up there behind Casino, Goodfellas and Heat as the best thing he did in the nineties, proving he still has what it takes when given the proper material to work with. Frankenheimer’s use of the camera is stylish and incredible. Image from Austin Powers: International Man of Mystery. Austin Powers: International Man of Mystery (1.

Director: Jay Roach. A world- class playboy and part- time special agent, Powers is defrosted after 3. Dr. Evil. An affectionate spoof, it’s a funny movie that only gets funnier the more familiar you are with the Bond movies, all the Bond clones and countless other 1. The joke is that both Powers and Dr. Evil are creatures of the ’6.

It’s pretty groovy. Image from The Bourne Identity.

The Bourne Identity (2. Director: Doug Liman.

When he recuperates from near death, Bourne suffers from amnesia and all that remains is his range of awesome talents in fighting that speak of a dangerous past. He sets out on a search to discover who he really is and why there’s a bounty on his head. One thing author Robert Ludlum was good at was keeping the action moving, and the film version of his novel would doubtless make him proud; there’s no point in the flick where we actually care much who Bourne was before he lost his memory, we’re just interested in finding out how he’s going to punch himself out of each sticky situation. With this comes some leap- out- of- your- seat suspense scenes.

Image from The Spy Who Came in from the Cold. The Spy Who Came in from the Cold (1. Director: Martin Ritt. British Cold War spy Alec Leamas poses as a drunken, disgraced former MI5 agent in East Germany and gets information about colleagues who have been captured. When he’s thrown in jail and interrogated, Leamas finds himself caught in a sinister labyrinth of plots and counter- plots. John Le Carré’s novel about betrayal and disillusionment in the world of East/West espionage is treated by Ritt with great intelligence, while Richard Burton gives one of his best screen performances as the spy out to get even with an East German counterpart.

What impresses most is the seediness of the film, with characters, buildings, and landscapes lent a convincingly grubby life by Oswald Morris’ excellent camera skills. Image from Dr. No. Dr. No (1. 96. 2)Director: Terence Young.

In the film that launched the saga, Connery battles mysterious Dr. No, a scientific genius bent on destroying the U. S. space program. It’s our remarkable first introduction to Bond at the gaming tables, lighting a cigarette and then telling us his name: “Bond, James Bond”. It’s a spy thriller with a tough, charming hero doing his job without all the eye- popping gadgetry. He pursues women, but doesn’t attract them as if he possessed some magical power. He’s confident, not arrogant.

And Ken Adam well and truly cements himself as one of the greatest production designers in the history of cinema.